Friday 26 October 2012

TRICK OR TREAT: THE BITTER AND THE SWEET

Halloween is my favourite holiday after Christmas. Previously I felt like it was under appreciated in the United Kingdom, but I see things gradually changing. 
Although our parent's generation and the generation before them pooh-poohed All Hallows' Eve I notice my peers embracing it (I'm a 90s kid for future reference, 1990). Perhaps we'll be the first generation of parents to go all out for Halloween. At least I know I will!

Traditional Halloween activities include:-
  • Trick or Treating - though if you're old enough to go without a supervising adult, you're probably too old! Get your great hauls of sweets and money while you can, but once you're in your mid to late teens you'll probably be more interested in...
  • Halloween Costume Parties - house parties and from the age of 18 the Halloween club nights are open to you. Try to keep it classy ladies, I know Mean Girls said that Halloween was the one night a year when you couldn't slut shame but be imaginative with your costume! Pick something that's actually Halloween themed at least. "Sexy bees" would be turned away from my house party, though sexy cats would be admitted.
If you're throwing a party this year, here are my Top 25 Halloween Songs for your playlist.
  1. The Monster Mash by Bobby 'Boris' Pickett and the Cryptkickers
  2. Witchcraft by Frank Sinatra
  3. Ghostbusters Theme
  4. Pet Semetary by The Ramones
  5. Thriller by Michael Jackson
  6. Halloween by The Dead Kennedys
  7. Spooky by Dusty Springfield
  8. Black Magic Woman by Santana
  9. The Addams Family Theme 
  10. I Put A Spell On You by Screamin' Jay Hawkins
  11. Are You Ready for Freddy? by Fat Boys feat. Robert Englund
  12. Halloween by Siouxsie and the Banshees
  13. This is Halloween by Danny Elfman
  14. Thriller/Heads Will Roll Mash-up by Glee cast
  15. Psycho Killer by Talking Heads
  16. Halloween by Misfits
  17. Don't Fear the Reaper by Blue Oyster Cult
  18. Seven Devils by Florence + the Machine
  19. Heads Will Roll by Yeah Yeah Yeahs
  20. Zombie by The Cranberries
  21. Grim Grinning Ghosts by Disney
  22. Highway to Hell by AC/DC
  23. Devil Woman by Riot
  24. Alfred Hitchcock Presents Theme
  25. Halloween Theme by John Carpenter
Another popular activity is Horror Movie Nights - this has been my personal tradition for the past 3 years. I prefer to stay in, don some footie-pyjamas and invite a few friends round to get comfy on the sofas, turn down the lights and prepare to be scared.

My Best Horror Movies of All Time

1. A Nightmare on Elm Street (Original 1984 Wes Craven Version)
2. The Shining
3. The Scream Quadrilogy
4. Carrie (1976)
5. Rosemary's Baby
6. The Exorcist
7. Psycho (Original 1960 Hitchcock Version)
8. The Texas Chainsaw Massacre (Original 1974 Version)
9. Halloween
10. Poltergeist

Whatever you do this year, have a HAPPY HALLOWEEN!

All photos sourced from thecherryblossomgirl.com (a mind-blowingly good blog, check it out!)

Wednesday 17 October 2012

Ruby Sparks Review



Seduced by the promise of another Manic Pixie Dream Girl movie and the indie soundtrack of the trailer, I spent my Orange Wednesday watching Ruby Sparks, the latest offering by married directors Jonathan Dayton and Valerie Faris (of Little Miss Sunshine fame).

The concept is intriguing; Calvin Weir-Fields, a New York Times Best-selling author and "genius" (though he doesn't like that word) is struggling with writers' block, to the extent that he is seeing a psychiatrist to help get his creative juices flowing again. Calvin is given an assignment; to write a single page about someone who accepts Scotty, his dog who embarrassingly "pees like a girl", just the way he is. 

Calvin freely admits that he has no friends besides his brother Harry, but that night he dreams of a meeting with a beautiful redhead in the park. The mysterious girl, conveniently enough, finds his dog and its quirks endearing. Bolting upright in bed, it's a race to the typewriter and thus, Ruby Sparks is born. 

Ruby has all the usual characteristics of your average MPDG - artistic endeavours, outlandish and unpredictable behaviour such as jumping into a pool with her clothes on and going commando at a nightclub, a complicated past (she got kicked out of high school for sleeping with her art teacher), right down to the block fringe. 

Calvin writes obsessively day and night and finds himself falling in love with his leading lady. Luckily for him, she materialises one morning in his kitchen, clad only in one of his shirts. It may seem the perfect solution for the lonely young writer, but he soon discovers that the woman of his dreams doesn't quite match up in reality...

I hate to admit it as a feminist but I love the Manic Pixie Dream Girl trope. I know it's problematic - the idea of a man projecting his ideals onto a woman, not loving her but the idea of her and expecting her to give his life meaning. Maybe my interest is fuelled by the desire to know what everyone has asked themselves at some point in their lives - what do the opposite sex want? Is this what I need to be in order to be loved, adored, fascinating to men? 

Or perhaps it's just my infatuation with Zooey Deschanel talking.

Ruby Sparks is similar to (500) Days of Summer in the sense that both concern the fate of MPDG's and the somewhat selfish men who idolise them. However I found Ruby Sparks to be more of a cautionary tale than it's predecessor. Perhaps this is because the screenplay was written by a woman (the actress playing Ruby, Zoe Kazan, no less) and therefore is a more heartfelt critique of the stereotype. Calvin's brother Harry states the fact: Women like this aren't real. They don't exist.

(500) Days of Summer showed Tom falling apart as a result of this dysfunctional relationship dynamic - causing the majority of male viewers to denounce Summer as a bitch; but no-one could accuse Ruby of this, as this projection of male ideals on a female is so much more literal. She is the one who is most drastically affected and controlled, Calvin is her puppet-master.

Calvin has no real social or working life and as such, he discourages Ruby from getting a job. When she calls him to say she's out with friends at a bar, it's the final straw. Despite swearing to his brother after her initial appearance that he would never use his power to alter her, out comes the typewriter and suddenly Ruby is eager to hotfoot it home to her man.

This desire to control Ruby did make for some great comedy - she pings from one emotional polar opposite to the other, one moment extremely needy and tearful; the other ecstatically happy.

Although both Paul Dano and Zoe Kazan are decent actors, I found neither one charismatic enough to carry a romantic comedy, even an "indie" one. This was a problem in particular with regards to Ruby. We are assumedly supposed to fall in love with her as deeply as Calvin, but I found Kazan rather unappealing. Her character didn't have enough substance to hold my attention, though maybe this is because of the way Calvin has written her - without depth, nothing but the ghostly figure from his dreams. That's not to say the two had no chemistry, being an off-screen couple such was an inevitability; the kisses shared and montage of fun-filled dates blended with French music made me desirous to reproduce such moments in my own life. 

The supporting cast was strong though we didn't see enough of them, making Ruby and Calvin's relationship seem ever-more claustrophobic. Antonio Banderas as Calvin's step-father Mort stole the show and most of the laughs too.

The ending was problematic for me, I felt our male protagonist had understood his lesson but not learnt it; things turned out a bit too easy for him. In conclusion, though poignant and cute, Ruby Sparks won't remain in my memory as a must-see movie from 2012. At the end of the day, it's not about finding your perfect partner, it's about finding a partner who becomes perfect to you.

PS - Anyone know the name of the zombie movie they watch at the open air movie theatre? Now THAT looked like a film worth seeing.

Edit: I've done my research and it's Dead Alive (1992) dir. Peter Jackson. Watch this space...